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After such a record, there has to be a big list of legendary players who made it possible, at the club and international level. After getting her degree, she became a teacher at Northview High School in Covina, California, eventually progressing to head of the English Department. Flemming Award for outstanding public service. The coach asks the client what they want to do. He is still on Active Duty in the United States Navy and his current rank in the Navy, is Chief Petty Officer of the United States Navy.

Pages: 276

Publisher: John Blake (November 1, 2011)


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See below. 2013 Compiled journal inscriptions of the life of our son from birth to 15 years into a manuscript of 800 typed pages for his 21st year. 2012-2014 Contextualized over 1000GB of all video material, photographs, documents and reviews on my work from 1981 to date as Research Based Archive available to academic institutions internationally, hosted by Ar(t)chive, Wits School of Arts, University of Witwatersrand. 1979-1980 Trained with Merce Cunningham, Martha Graham and other performing art schools in dance and movement therapy in New York. 1980-1982 Member of Equinoxe Dance Theatre, Johannesburg. 1983 Boksburg, O Boksburg, dance interpretation of David Goldblatt’s photographs from his album In Boksburg. 1984 Performed Thabangita, environmental commentary, with fellow dancer Gill Scott. 1987 Performed Intarsia, based on Wilna Stockenström’s novel Die Kremetartekspesisie, a story of a slave women in Africa at the beginning of Portuguese colonialism. 1985 Created two dance works for SABC, Makietie and Helios. 1986 Collaborated with Bob Hill, double bass player, performed at NAPAC and UNISA. 1986 Performed solo work Timeless Tango, on hierarchical power relations. 1987 Performed solo work…Fantoom…commentary on the disconnective psyche in South Africa. 1988 Performed Skotgorsari, the fine line between truth and illusion, with fellow dancer Jeanette Ginslov. 1989 Performed Come and See the Moon is Dancing in Namibia, a dance celebration of my stories about that country. 1990 Performed Tor at Earth Day Celebrations, Namibia with sculptures of Jackson Mbhazima Hlungwane, as well as live and dead tortoises. 1991 Performed Touchstone with fellow artist Wiebke Volkmann in Namibia, comment on the perplexities of a new democracy. 2001 Performed OPUS, with cellist Francois le Roux, the restoration of white integrity. 2001 Performed unnameable 1 with local shamans. 2002 Received FNB Dance Umbrella Special Award for unnameable 2, the predicament of art-making in Africa performed to a full-length script. 2005 Performed mamakaluyolo as rite of passage between mother and son with my 10-year old son, Luyolo Sijake. 2006 Conducted a 6-month long workshop preceding the performance exploring facets of Bluebeard, the story of gender violence, with Remix Dance Project in movement, voice, choreographic theatre and narrative as transformational tools. 2006 Co-directed and performed in Bluebeard, for Remix Dance Project, a company for dis/abled bodied dancers. 2006 Performed POPPE at the Out The Box Puppet Festival, which allowed for the witnessing of a culture of exaggeration in a state of emergency Football, My Life.